“All of Adobe’s tools play so well together,” said Hansen.
Top Gun: Maverick Film UI designer Jayse Hansen turned to After Effects and Illustrator to supplement the practical interior shots of the various aircrafts by designing and animating the realistic cockpit, speed and command center displays that captivated audiences and earned six nominations, including Best Visual Effects and Best Picture.I was able to focus on the film, not the tools.” “Combined with Frame.io, the whole workflow was very intuitive. Editor Paul Rogers and his team at Parallax Post relied on Premiere Pro, After Effects, and Frame.io to bring Everything Everywhere All at Once to life, earning 11 nominations including Best Film Editing and Best Picture. “Premiere Pro is wonderful and I couldn’t imagine cutting in any other program,” said Rogers.Outstanding storytellers behind this year’s frontrunning films trusted Adobe creative tools to power their projects: Filmmakers have the creative freedom to meet these demands and produce unique, cherished works thanks to Adobe’s cutting-edge and dependable Creative Cloud and Substance 3D technologies. Directors, producers, and studio executives should all be able to access high-quality content with the use of effective delivery systems for filmmaking teams. Ashley Still, senior vice president, Adobe Creative Cloud, said: “We’re proud to empower Oscar-nominated filmmakers to bring the world’s greatest stories to life with the leading platform of creative applications and services in Adobe Creative Cloud and the Substance 3D collection.Īdobe continues pushing the boundaries of innovation to unlock the future of filmmaking, empowering our customers to create in new mediums and collaborate in new ways, from anywhere.”įilmmakers today are at a turning point in a fiercely competitive climate, working to meet an unquenchable need for content across platforms and churning out compelling content more quickly than ever.
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